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This richly illustrated, easy-to-navigate sourcebook of surface pattern and three-dimensional ornamentation presents more than 1,000 historic and contemporary examples from around the world, each one succinctly identified and explained. Arranged thematically, it is unique among pattern books, as it includes examples not only of surface pattern but also three-dimensional ornamentation and embellishment.

Two-dimensional pattern is ubiquitous, no matter what the age of an object or where it was created. From Japanese kimono and William Morris fabrics, to Chinese porcelain and contemporary furniture, such objects reveal mankind’s unceasing desire to combine pattern with design. Just as prevalent are examples of three-dimensional embellishments of objects that go far beyond the requirements of their practical use. An acrylic handbag has a carved motif of insects and wildflowers; a cobalt blue pottery ewer has a dragon’s-head spout; and an early 19th-century fruit plate is shaped as a seashell.

Designers working today are as fascinated and inspired by pattern and ornament as they have always been. This expertly compiled selection of pattern and ornament will appeal to creatives, artists and illustrators from all disciplines as well as anyone interested in visual and material culture.

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This richly illustrated, easy-to-navigate sourcebook of surface pattern and three-dimensional ornamentation presents more than 1,000 historic and contemporary examples from around the world, each one succinctly identified and explained. Arranged thematically, it is unique among pattern books, as it includes examples not only of surface pattern but also three-dimensional ornamentation and embellishment.

Two-dimensional pattern is ubiquitous, no matter what the age of an object or where it was created. From Japanese kimono and William Morris fabrics, to Chinese porcelain and contemporary furniture, such objects reveal mankind’s unceasing desire to combine pattern with design. Just as prevalent are examples of three-dimensional embellishments of objects that go far beyond the requirements of their practical use. An acrylic handbag has a carved motif of insects and wildflowers; a cobalt blue pottery ewer has a dragon’s-head spout; and an early 19th-century fruit plate is shaped as a seashell.

Designers working today are as fascinated and inspired by pattern and ornament as they have always been. This expertly compiled selection of pattern and ornament will appeal to creatives, artists and illustrators from all disciplines as well as anyone interested in visual and material culture.

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