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Emigrating from southern Germany in the late fifteenth century, painter Hans Memling sought success in Bruges, which was a vibrant commercial hub at the time. Rather than among the nobility or ecclesiastical institutions, instead he found his audience in the new urban middle class of merchant bankers, financiers, politicians, affluent clerics and artisans. He also enjoyed a reputation among diverse communities of traders and diplomats from across Europe, including Castile and England, as well as Italian ci

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Emigrating from southern Germany in the late fifteenth century, painter Hans Memling sought success in Bruges, which was a vibrant commercial hub at the time. Rather than among the nobility or ecclesiastical institutions, instead he found his audience in the new urban middle class of merchant bankers, financiers, politicians, affluent clerics and artisans. He also enjoyed a reputation among diverse communities of traders and diplomats from across Europe, including Castile and England, as well as Italian ci

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