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Carl Grossberg’s (1894–1940) painting career was bracketed by the two world wars. He drew his subject matter from “the enormous wealth of new forms in the world of technology,” recognising both its potential and its dangers. The publication examines the paintings, drawings and prints of the German New Objectivity painter in the Merrill C. Berman Collection.

Long associated with the German New Objectivity movement of the 1920s, Grossberg is revered for his precise paintings of industry, devoid of human f

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Carl Grossberg’s (1894–1940) painting career was bracketed by the two world wars. He drew his subject matter from “the enormous wealth of new forms in the world of technology,” recognising both its potential and its dangers. The publication examines the paintings, drawings and prints of the German New Objectivity painter in the Merrill C. Berman Collection.

Long associated with the German New Objectivity movement of the 1920s, Grossberg is revered for his precise paintings of industry, devoid of human f

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